BY MONIKA MITTAL*
Costume design has the power to transport audiences into different worlds, often making films unforgettable long after the credits roll. At SCAD FASH in Atlanta, an exclusive opportunity awaits visitors to step into the incredible world of one of the most accomplished costume designers of our time—Sandy Powell. The exhibition, titled Dressing the Part, is a celebration of Powell’s iconic 40-year career, showcasing over 120 of her most mesmerizing costume designs. For film enthusiasts, historians, and lovers of the craft, this exhibition is a testament to the transformative power of costumes in storytelling.
Meeting Sandy Powell in person is something I will never forget. As I walked into SCAD FASH, nerves crept in at the thought of standing before a legend whose work has redefined costume design in cinema. Powell has worked with some of the greatest directors of our time, from Martin Scorsese to Todd Haynes, and her designs have dressed the likes of Tilda Swinton, Cate Blanchett, and Leonardo DiCaprio. But when I finally met her, my nervousness quickly melted away. Powell, with her warmth and infectious laughter, made me feel at ease instantly.
Powell reflected fondly on her early years, recalling her first big break with director Derek Jarman, a visionary filmmaker who gave her the opportunity to design costumes for his film Caravaggio. It was evident how meaningful this project still is to her, as she spoke with enthusiasm about how it laid the foundation for her future work. Powell’s ability to remember every intricate detail of that project, even after four decades, highlighted how much she cherishes the memories and relationships forged along the way. Her humility was striking—despite her long list of accolades and Academy Awards, she expressed deep gratitude for the opportunity to work with talented directors and crews throughout her career.
The SCAD FASH exhibition is an inspiring journey through Powell’s diverse body of work. From period dramas that span the Victorian and Elizabethan eras to more contemporary designs, the exhibition immerses viewers in Powell’s creative genius. The focus on historical films is particularly fascinating for history buffs, offering a glimpse into how costume designers like Powell meticulously recreate the fashions of bygone eras while adding their own artistic interpretation. As someone who adores period dramas, I often find myself captivated by the costumes just as much as the storyline and the set designs itself. This exhibition serves as a reminder of how essential these visual details are to the storytelling process. These movies take me back to my travels through different countries and the cultures we experience as we navigate life.
The most talked about Cinderella gown displayed at SCAD FASH is stunning. Powell talked about the process of layering many colors and fabric for that gown and how they made 14 blue gowns, to fit different needs in the film. These elaborate designs not only evoke the aesthetic of the times but also reflect the characters’ personalities and narratives. For instance, the way Powell draped fabric or added subtle embroidery can tell you so much about a character’s status, emotions, or even their intentions. It’s a masterclass in how clothing serves as an extension of the character, embodying their inner world without a single line of dialogue.
But Powell’s designs go beyond mere historical accuracy—they’re infused with her unique sense of creativity and innovation. One standout in the exhibition is her work from The Favourite (2018), where she reimagined the costumes of the early 18th century, playing with contemporary elements that feel fresh yet perfectly in line with the period’s grandeur. These costumes blur the lines between history and modernity, a hallmark of Powell’s exceptional talent.
Throughout the exhibition, visitors are also treated to costumes from some of Powell’s most acclaimed films, including Shakespeare in Love, The Young Victoria, and Cinderella. Each piece is displayed with care, allowing viewers to appreciate the craftsmanship and attention to detail that go into creating cinematic magic. The rich textures of velvet, brocade, and silk practically shimmer under the gallery lights, drawing you closer to examine each stitch, bead, and hemline.
SCAD FASH’s dedication to curating such a remarkable exhibition is commendable. As a visitor, I felt like I was walking through a history of film itself, with Powell as my guide. The care taken to display each costume alongside sketches and notes provides an intimate look at the design process, offering insight into how these iconic outfits moved from concept to screen. It is not just an exhibition for film fans, but for anyone interested in fashion, history, and storytelling.
Walking out of SCAD FASH, I couldn’t help but feel immense gratitude. Gratitude for the incredible artistry that Powell has brought to the world of cinema and for SCAD’s commitment to bringing legends like Sandy Powell to Atlanta, allowing us to witness these pieces of art up close. It is rare to be able to see such an intimate retrospective of a designer’s work, and it serves as a powerful reminder of the unsung heroes behind the scenes who make our favorite films so unforgettable.
In conclusion, Sandy Powell’s Dressing the Part exhibition at SCAD FASH is a must-see for anyone with a love of cinema, costume design, or history. Powell’s work has not only shaped the look of some of the most iconic films in recent memory, but it has also elevated the role of costume design to an art form. Whether you’re a dedicated fan of period dramas or simply appreciate the artistry behind film, this exhibition will leave you in awe of Powell’s remarkable legacy.
*Monika Mittal is the founder of AloraByMonika, which combines art and fashion. Find out more about her at AloraByMonika Where Art meets Fashion.
